Elena Razlogova, “World Cinema at Soviet Festivals: From Cultural Diplomacy to Personal Ties,” Studies in European Cinema (forthcoming, published online in November 2019): 1–15, https://doi.org/10.1080/17411548.2019.1686893.
Jonathan Sterne and Elena Razlogova, “Machine Learning in Context, or Learning from LANDR,” Social Media + Society 5, no. 2 (June 2019): 1–18.
Elena Razlogova, “Shazam: The Blind Spots of Algorithmic Music Recognition and Recommendation,” in Appified: Culture in the Age of Apps, ed. Jeremy Wade Morris and Sarah Murray (Ann Arbor: University of Michigan Press, 2018), 257-266.
Elena Razlogova, “The Politics of Translation at Soviet Film Festivals during the Cold War,” SubStance 44, no. 2 (2015): 66–87.
Elena Razlogova, “Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema,” Sound, Music, Speech in Soviet and Post-Soviet Cinema, ed. Lilya Kaganovsky and Masha Salazkina (Bloomington: Indiana University Press, 2014).
Lyell Davies and Elena Razlogova, “Framing the Contested History of Digital Culture,” Radical History Review, no. 117 (Fall 2013): 5–31.
Elena Razlogova, “The Past and Future of Music Listening: Between Freeform DJs and Recommendation Algorithms,” Radio’s New Wave, ed. Michele Hilmes and Jason Loviglio (New York: Routledge, 2013) – about WFMU!
Elena Razlogova, “True Crime Radio and Listener Disenchantment with Network Broadcasting, 1935-1946,” American Quarterly (March 2006).