Paulin Soumanou Vieyra, the Soviet Union, and Cold War Circuits for African Cinema, 1958–1978,” Black Camera 13, no. 2 (2022): 451–73.

On Soviet Spoken Cinema,” in Remapping Cold War Media: Institutions, Infrastructures, Networks, Exchanges, ed. Alice Lovejoy and Mari Pajala (Bloomington: Indiana University Press, 2022), 157–75.

Ascesa e caduta della diplomazia sino-sovietica dei festival cinematografici, 1957-1966 [The Rise and Fall of Sino-Soviet Film Festival Diplomacy, 1957-1966],” trans. Francesco Pitassio, Cinema e Storia: Rivista di studi interdisciplinari 10 (2021): 87–103. In Italian. English original appended at the end.

An Air Map for World Cinema: Aeroflot as an Infrastructure for Cinematic Internationalism,” Special Issue “The Union of What? Soviet Internationalism Thirty Years after the Fall of the USSR,” Russian Review 80, no. 4 (2021): 661–80.

Cinema in the Spirit of Bandung: The Afro-Asian Film Festival Circuit, 1957-1964,” in The Cultural Cold War and the Global South: Sites of Contest and Communitas, ed. Kerry Bystrom, Monica Popescu, and Katherine Zien (London: Routledge, 2021).

with Jonathan Sterne, “Tuning Sound for Infrastructures: Artificial Intelligence, Automation, and the Cultural Politics of Audio Mastering,” Special Issue “Infrastructural Politics,” Cultural Studies 35, no. 4-5 (2021): 750-770.

Provincializing Spotify: Radio, Algorithms and Conviviality,” Radio Journal: International Studies in Broadcast & Audio Media, 18, no. 1 (2020): 29-42. – about WFMU and Free Music Archive.

The Liberation Politics of Live Translation: Global South Cinemas in Soviet Tashkent,” JCMS: Journal of Cinema and Media Studies 59, no. 4 (2020): 183–88.

World Cinema at Soviet Festivals: From Cultural Diplomacy to Personal Ties,” Studies in European Cinema 17, no. 2 (2020): 140–154.

with Jonathan Sterne, “Machine Learning in Context, or Learning from LANDR,” Social Media + Society 5, no. 2 (2019): 1–18.

Shazam: The Blind Spots of Algorithmic Music Recognition and Recommendation,” in Appified: Culture in the Age of Apps, ed. Jeremy Wade Morris and Sarah Murray (Ann Arbor: University of Michigan Press, 2018), 257-266.

The Politics of Translation at Soviet Film Festivals during the Cold War,” SubStance 44, no. 2 (2015): 66–87.

Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema,” in Sound, Music, Speech in Soviet and Post-Soviet Cinema, ed. Lilya Kaganovsky and Masha Salazkina (Bloomington: Indiana University Press, 2014), 162-178.

The Past and Future of Music Listening: Between Freeform DJs and Recommendation Algorithms,” in Radio’s New Wave, ed. Michele Hilmes and Jason Loviglio (New York: Routledge, 2013), 62-76. – about WFMU

with Lyell Davies, “Framing the Contested History of Digital Culture,” Radical History Review, no. 117 (Fall 2013): 5–31.

DIY Image Management with Zotero,” Perspectives on History, October 2012.

True Crime Radio and Listener Disenchantment with Network Broadcasting, 1935-1946,” American Quarterly (March 2006) */